alexandra collier

calls herself a playwright

whatever that may mean though it may be outdated and strange and what are these things that one sees on the stage if one bothers to see them still or why write them at all but people still call them plays (and I like them)

agent enquiries:
Gersh Agency, New York
Jessica Amato
jamato@gershny.com

HLA Management, Sydney
Anna Dadic
anna.dadic@hlamgt.com.au

biography   plays   contact   

underland

In a small dusty town, a schoolgirl encounters a Japanese businessman who has crawled out of the earth from Tokyo. But then his body shows up - just another victim of a mysterious killer beast. A strange and irreverent story of love, loss and animals that attack.

Workshopped and read as part of the Rough Draft program at Sydney Theatre Company and developed for Page to Stage, Dixon Place, New York.