alexandra collier

calls herself a playwright

whatever that may mean though it may be outdated and strange and what are these things that one sees on the stage if one bothers to see them still or why write them at all but people still call them plays (and I like them)

agent enquiries:
Gersh Agency, New York
Jessica Amato
jamato@gershny.com

HLA Management, Sydney
Anna Dadic
anna.dadic@hlamgt.com.au

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deathless

Plastic particles can be found in every trace of the ocean, water is becoming the new fuel, an area the size of Texas in the Pacific is clogged with rubbish as far as the eye can see. Things are falling apart. Meanwhile, Professor Cleave, a passionate biologist, has left America to take up residency in a watery, third world city – there he intends to continue his research with the hope of radically extending human life. But before long, his daughter and his ex-wife are on his doorstep, each searching for their own life and death solutions. Meanwhile, as their existence becomes fragile, each one must face what it is they are living for.

Play formed through interviews with Professor Gordon Lithgow, Buck Institute for Age Research and Dr. Leonard Guarente, MIT. Shortlisted for SheWrites, Synchronicity Theatre, Atlanta, 2010. Roundtable reading at New York Theatre Workshop and Lark Play Development Center, 2008, public reading at Centre Stage, 2009; (both directed by May Adrales).